Saturday, June 16, 2018

'The Truth About Italy's Populist Revolution...'



The Truth About Italy's Populist Revolution. Prepare Yourself.

Stephen Molyneux

We Need Your Support: http://www.freedomainradio.com/donate


MP3: https://www.fdrpodcasts.com/#/4114/the-truth-about-italys-populist-revolution-european-union-migration-and-the-euro


Soundcloud: https://soundcloud.com/stefan-molyneux/fdr-4114-the-truth-about-italys-populist-revolution-european-union-migration-and-the-euro

Italy is on a collision course with the European Union and the European Central Bank, and while many celebrate the rise of the new “populist” government coalition, the stability of both the Euro and the European Union once again gain the spotlight on the world stage.

Italy is now led by Italian Prime Minister Giuseppe Conte – a relative unknown – and the government coalition between The League, led by Matteo Salvini, and the Five Star Movement, led by Luigi Di Maio.

Italy’s debt currently stands at approximately €2.17 trillion - or 132% of gross domestic product (GDP). To put things in perspective, Greece’s debt-to-GDP ratio was “only” 127% when they were bailed out in 2010.

Includes: The European Migrant Crisis, Italian Prime Minister Giuseppe Conte, The League led by Matteo Salvini, Five Star Movement led by Luigi Di Maio, George Soros, Asylum Applications, United Nations Migration Estimates, Italy Population Figures, Unemployment, Foreign Students In Italy, attitudes Towards Refugees, The Truth About The Euro, Debt to GDP Breakdowns, Government Debt Per Capita and much much more!

Sources: http://www.fdrurl.com/italy-revolution



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The Truth About Italy

Slovenia Joins Italy, Hungary, and Poland, Elects for Populist Parties


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The typical migrant boat mix of North Africans and Sub-Saharan Africans


'Italians First! Italy’s new Interior Minister blocks two more migrant ships'

Voice of Europe - June 16, 2018

Matteo Salvini, Italy’s Interior Minister refused two more migrant boats to dock in Italian ports. The NGO boats, sailing under the Dutch flag did not receive permission to enter Italy, The Local reports.

Salvini said on his Facebook page:
“Two more ships with the flag of the Netherlands, Lifeline and Seefuchs, have arrived off the coast of Libya, waiting for their load of human beings abandoned by the smugglers. These gentlemen know that Italy no longer wants to be complicit in the business of illegal immigration, and therefore will have to look for other ports [not Italian]where to go.”

Last week Italy already barred the Aquarius, a ship that carried 620 migrants. Later Spain offered to accept the ship in its port and allowing the migrants into the country. It is expected to arrive in Valencia on Sunday.

During his election campaign, Salvini vowed to put Italians first and protect the country against illegal immigration. He promised to deport 500,000 migrants within 5 years.

About the Islamisation of Italy the leader of the Lega party said:

“We are under attack. Our culture, society, traditions and way of life are at risk. The colour of one’s skin has nothing to do with it, but the risk is very real. Centuries of history risk disappearing if Islamisation, which up until now has been underestimated, gains the upper hand."


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Tuesday, May 1, 2018

Waldensian Heritage Winery Story 2

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125th Celebration!

May 26, 2018: 10am Festival at LPDA & Valdese Family Splash Park that will have family-friendly activities for all. Activities will include: bocce lessons, courenta, grape-stomping, basket weaving, with special food and music by Whitewater Bluegrass Company and much more! Festival Di Birra: 3-7pm at Waldensian Mill

May 28-June 1, 2018: Waldensian Archives/Genealogies and special events at the Waldensian Heritage Museum. Meet with a representative from the Achivio Tavola Valdese of Italy to learn more about your heritage. For more information call 828-874-1111.

June 1-2, 2018: A Cultural Symposium- Four Faces of Waldensianism. Four Faces of Waldensian Witness: Italy, France, Germany, and South America. Special presentations by: Claudio Pasquet: Pastor and Historian of the Waldensian/Methodist Church of Italy. Gabriel Audisio: Writer and Historian of the Southern French Waldensians of the 15th & 16th Centuries. Albert de Lange: Writer and Historian of the Waldensian Settlements in Germany. Javier Pioli: history teacher and graduate in theology from Uruguay on the settlements in Argentina and Uruguay and their ongoing witness today

June 1-July 20, 2018: The Rock School Arts Foundation is collecting photos of Early Valdese for exhibition in the Rock School Arts Galleries in June and July, 2018 for the 125th celebration. They will be accepting pictures of Valdese from the first 85 years of settlement. Three categories of the first 85 years will be displayed: groups, individuals, and places in Valdese or the Valleys. Each person is limited to submit 5 photos. The Rock School Arts Foundation will be receiving photos at the Old Rock School on May 29 & 30th, 2018. Reception June 3rd.

June 25-28, 2018: Community-wide Vacation Bible School at the Trail of Faith. Themes covered: Waldo and his movement of preaching starting with the 12th century; The importance of education to the Waldensians; What Waldensians believe; Arnaud and the Glorious Return; The Settlement of Valdese. Churches participating in the Valdese Ministerial Association will work together to present this educational opportunity each night. Begins at 6:30pm.

July 13-August 11, 2018: “From This Day Forward” Historic Outdoor Drama of the Waldenses- tickets available for purchase at Fred B. Cranford Amphitheatre box office or at the Old Rock School.

August 10-11, 2018: Annual Waldensian Festival to celebrate The Glorious Return. Regional Bocce Tournament at the LPDA.

December 1, 2018: Valdese Annual Christmas Parade - Wear your Waldensian outfits to celebrate the 125th year of Valdese!

December 9, 2018: Community-Wide Moravian Love Feast Service. 5:00pm at Waldensian Presbyterian Church.


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The Train is Coming...

In honor of Valdese celebrating 125 years since their founding in 1893, the Valdese Public Arts Commission and the Town of Valdese have come together to create a commemorative art piece that will be located across from Valdese Town Hall on Massel Avenue. The art installation will depict the arrival of the original Waldensian settlers who came to Valdese on May 29th, 1893 as they departed the “No. 11” train at the Valdese Depot.

The installation will be created by the artists of Oak Hill Iron & Wood of Morganton and was designed by local artist Greg Mastin. The project will feature a full scale train and silhouettes of original settlers made out of iron. Standing between twelve and fifteen feet tall and extending parallel to Massel Avenue for over thirty feet, the installation will honor those who founded Valdese. The original settlers will be listed on a bronze plaque which will be created by the Waldensian Heritage Museum. The project will be installed during the summer months of 2018 and will make its debut at the Waldensian Festival on August 11th, 2018.

The cost for the installation has been pledged by the Valdese Public Arts Commission, the Town of Valdese, and Waldensian Heritage Museum. The Valdese Public Art Commission would like to request your support for this tremendous project. Your contributions will be used for landscaping, lighting and a boardwalk extension. Those interested in making a donation can mail or bring check or cash to the Waldensian Heritage Museum or the Valdese Community Affairs Office located at the Old Rock School. No donation is too big or too small and any support you provide will be greatly appreciated. Your tax deductible contributions will add additional features to the installation and will help to make this project even more of an iconic image for the Town of Valdese. Help us celebrate 125 years of our hometown!

Project updates will be available at www.valdese125.com | Call 828-879-2129
Donations can be made by:
Checks payable to: Waldensian Heritage Museum

*Please note - 125 TRAIN ART - in the memo line | Mailed to: Valdese Tourism Dept. - P.O. Box 655 Valdese NC 28690


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Heritage

In May of 1893, a group of Waldenses, from the Cottian Alps of Northern Italy, settled on land located near the Catawba River in eastern Burke County in North Carolina, between the towns of Morganton and Hickory.  The center of this community became the town of Valdese.

The Waldenses were pre-Reformation Christians with a religious ancestry that dates back to at least the 12th century. For centuries these Waldenses were persecuted by armies from both the governments of Italy and France and the official church. This tiny religious sect was forced to take refuge in the Valleys of the Cottian Alps of Northern Italy and remained secluded in the rugged mountains until they received their religious freedom by the Edict of 1848.

With this new peace their number grew rapidly until their Alpine farms could no longer support them. They looked elsewhere and began establishing colonies in other parts of Europe, South America, and the United States. They migrated to New York City, Chicago, Missouri, Texas and Utah, as well as Valdese. The Valdese colony became the largest Waldensian colony in the world located outside of Italy.

In the beginning, the Valdese settlers tried to make their living off the land as they had in Italy, but the poor soil would not produce. They turned instead to manufacturing, and with the same spirit of survival and determination of their ancestors, began to prosper. Today, Valdese has a solid manufacturing economy because of their efforts.

The Town of Valdese incorporated in 1920 and elected its first mayor, John Long, who was also the groom in the first Waldensian wedding in Valdese.

The story of the Waldenses is vividly told in the outdoor drama, "From This Day Forward" presented by Old Colony Players each summer in the Old Colony Amphitheater in Valdese.

Learn more about the history of Valdese and the Waldenses by visiting our local tourist attractions: the Waldensian Heritage Museum & Gift Shop, Waldensian Heritage Winery, P&W Railroad Museum, Village Park Mural, Rock School Art Galleries I &II and the Trail of Faith.

Valdese celebrated its Centennial in 1993 and the Centennial Park and Fountain was opened on Main Street to commemorate the event.

At the 2001 Waldensian Festival, a clock tower was dedicated to commemorate the new millennium.


Visit the American Waldensian Society Website



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Waldensian Gospel Songs

Angrogna Valley - Waldensian cave
(Piedmont; Singing inside one of the caves the Waldensian people used to hide in, to escape religious persecution.)

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Sunday, April 29, 2018

Waldensian Heritage Winery Story




Waldensian Heritage Winery Story

WMNCNews

Dennis Powell: Co-owner of the Waldensian Heritage Winery in Valdese, NC.


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http://www.waldensianwinery.com/


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125th Celebration!

April 29, 2018: Tour of the Past. Spend a Sunday afternoon strolling through many buildings and homes of Valdese that were built by the Waldenses in the early 1900’s. This fundraising event will include transportation to each site with a tour guide and will conclude with a reception at the Waldensian Winery. Tickets will be available to purchase on February 1, 2018 at the Waldensian Heritage Museum. Tickets will be $40 per person or VIP for $60. Event is limited to 100 tickets. Beginning at 2pm at the Old Rock School.


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As of the this posting date kicks off the start of the 125th anniversary festivities of the town of Valdese, North Carolina. If you needed a good excuse for a Southern vacation, or even just a weekend, this might be it. Particularly if you are of Piedmontese ancestry. The Piedmontese Waldensians were openly persecuted by Italian and Papal authorities in the 19th century, and they migrated out.

The town of Valdese is a direct result of this migration. At that time, America was the hope of persecuted people who needed no special coddling and pampering; but achieved a living by hard work and self-determination. "Valdese" were among the Voortrekkers in South Africa who headed north into the unknown to form farming communities in the 1830s. When blood-crazed Zulus from the northern tropical zone (what is now South Africa was uninhabited then) attacked and began killing every settler that they could find; a young Piedmontese Waldensian woman named Theresa Viglione took off on horseback and rode through very dangerous territory, risking her life to warn others of what was happening. She no doubt saved the lives of thousands of settlers, any which way you see it. The Valdese Carolinians were the same people as the Valdese Voortrekkers, and part of our people.


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Visit Valdese NC

mwalker1028


Tour the Town of Valdese with our Attractions, Events & our Available Tours!


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Saturday, March 17, 2018

Flag and anthem of the Grand Duchy of Tuscany (1840-1860)



Flag and anthem of the Grand Duchy of Tuscany (1840-1860)

TheFlagAndAnthemGuy

ITALIAN: Granducato di Toscana

ANTHEM: "La Leopolda"

Flag from wikipedia: "Flag of the Grand Duchy of Tuscany (1840)" by Flanker. Licensed under CC BY-SA 3.0 via Commons

made using Flag 3D screensaver, available here:
http://www.3planesoft.com/holidays-screensavers/flag-3d-screensaver/

- CONTACTS:
FACEBOOK https://www.facebook.com/TheFlagAnthemGuy-1385863208300909/
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Thursday, February 22, 2018

USA Women's Hockey Team steals the show.... according to many casual followers


'2018 Winter Olympics: Team USA women's hockey scores historic wins on and off ice'

The gold medal victory was an absolutely perfect ending to a landmark year for the program

Pete Blackburn - CBSSports.com - February 22, 2018

The last 12 months have been a roller coaster ride for the United States women's national hockey team, but on Thursday in Pyeongchang, that ride reached its ultimate peak -- an Olympic gold medal.

Team USA defeated Canada, 3-2, in a thrilling shootout win in South Korea to earn their first gold medal in 20 years. It was the third consecutive Olympics in which the American and Canadian women faced off in the final, and this one came 38 years to the day of the "Miracle On Ice."

For the American women, there was no miracle necessary. Thursday's gold medal game was earned on the strength of skill, execution, perseverance, heart and fearlessness. It was a perfectly fitting way to wrap up what has been an incredible last year for the Team USA women, who have earned major victories both on and off the ice.

con't...


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Dani Cameranesi

One of the numerous important role players for the USA team--I almost want to say "fighters" due to the manner of last evenings game--was 22 year old Dani Cameranesi from Minnesota. She was one of six ex-Minnesota Golden Gophers on the team. "Cameranesi" is of Marchese origin, like a famous Minnesota native Robert Mondavi. There was a sizable migration Lombards and Marchese to eastern Minnesota way back when, from Duluth to Minneapolis-St. Paul.

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Friday, February 16, 2018

"Italia and Germania" (1828)


Reddit: "Italia and Germania"

Italia und Germania (1828) by Friedrich Overbeck. The two girls are personifications of the countries and symbolise their common heritage and friendship.

Here in Italy there's an adage:
Italians hold Germans in high regard, but don't love them; Germans love Italians but don't hold them in high regard.

Just pointing out the Italian landscape to the left and the German Gothic town to the right.

I love how , when you have pictures of German women in Art, there hair is often braided and Italian women have their hair tied with leaves.

well, the leaves are usually laurel leaves, the plant used in classical antiquity to crown athletes, writers, and so on. It just works as a reminder of our classical past




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I like Germania and Austria more


[Not my comment, but I thought it made for an interesting concept in its own right]




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Is it a coincidence that each one's clothes hint at the other's flag? The green-white-red color scheme was already in use in Italy at the time, not sure about Germany.

Both nations were struggling to create their own state at the time. If anything, it represents nationalism.

Friedrich Overbeck, the painter did want to express both heritage and friendship between these cultural spheres and their common wish for unity.

Italy and Germany have always been very similar (except culturally) in their history (divided politically, then unification, WWII...), and economically (east/west, north/south divide), well at least until not that long ago.

Nah, at that time Italy and Germany weren't countries, but a bunch of small loosely knit duchies, free cities, princedoms, republics, bishoprics and what not. That was also the time that nationalism and a national consciousness was being formed. So this picture, among other things, is supposed to be a fairly nationalistic one. So, if anything, EU is against nationalism and for a more supranational approach to things.




'Italy and Germany: A peaceful meeting of opposites'

Rosemarie Fruehauf - TheEpochTimes.com - December 5, 2010

It is a meeting of dark and bright, yin and yang, of introvert and extrovert. The harmony of this painting is so compelling because it shows a peaceful connection of opposites, a talk between two different realms and approaches toward life.

Leave everything aside—German stereotypes, Italian stereotypes, and the story of the Nazarene movement—and you are looking at a timeless painting about friendship.



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The Nazarenes

The two ladies, Italia and Germania, in the painting by Johann Friedrich Overbeck, (1789–1869) represent two ideals of art: the art of the early Italian Renaissance as found in the young Raphael, and the German late-Middle Ages paintings like those of Albrecht Dürer. These were the ideals the painter Overbeck venerated and from which he drew his artistic inspiration.

The two girls can also be seen as symbolizing the church and the state. Overbeck and his artist friends of the Nazarene movement postulated that the partners of art should be the church and the state, a view that was regarded as old fashioned and reactionary in a time when art suddenly had to search for reasons to validate its existence.

The industrial revolution was dawning, and both the bourgeoisie and artists were growing ever more independent. In these days at the brink of the 19th century, Overbeck and some fellow students of the Academy of Vienna were dissatisfied with the lack of heart and soul in the prevalent Neoclassicism and with the conventional art education in the academy system.

In the meetings and discussions they held in a loose circle from 1808, they found their Christian ideals manifesting in the earlier European art. Four of them, including Overbeck, left the academy in 1810 and traveled to Rome. In Italy, they hoped to live a life in the way of the old, “true” artists. Making an impact in Rome. They called themselves the “Brotherhood of St. Luke” (St. Luke is the patron saint of painters) and after occupying the abandoned monastery of San Isidoro, conducted a quasi-monastic life, dedicated to praying and painting.

Soon they became known among their detractors as well as supporters by the quizzical nickname “Nazareni” (for their long-haired, biblical appearance) and were joined by other like-minded personalities. The greatest achievement of the group was the reviving of the old fresco technique that had almost been forgotten.

With two major commissions, the wall paintings of Casa Bartholdy and the Casino Massimo in Rome, they could establish an international reputation. By 1830, all the Nazarenes had returned to Germany, where many of them became acclaimed teachers and chairmen of art academies.

Overbeck, as the figurehead of the movement, rejected all offers and stayed in Rome, where he lived his dream until his death in 1869. Though admired by fans and followers, he was ridiculed by his more practical-minded contemporaries.

The Nazarenes were disillusioned over the rationalism of the enlightenment movement that had discredited itself in the terror of the French Revolution.

They preferred a society based on belief. That is why they saw the Middle Ages in a very positive light. With its simplicity and honesty, the Middle Ages became their favorite period of history.

“Italia und Germania” was especially seen as the Nazarenes’ programmatic painting, as it extols the two branches they considered to be the highest ideals of art—the early Italian Renaissance in the spiritual and introverted Madonna-like figure, together with the natural, yet proud German Middle Ages artistry represented by the blond girl.

The Nazarenes were the first art movement in a modern sense—a group of people who met to formulate an ideology of what art should be like and then worked for it. This painting exemplifies and convincingly broadcasts what they sought in art. The painting works perfectly in iconography, technique, and compositional style. Here, their dream and message is given a shape.



The Painting

The painting becomes more meaningful and beautiful the longer one looks at it. Its clear and simple coloring, supported by the stunningly smooth surface, which hardly shows a brush stroke, attracts one’s eyes naturally.

The girls are in the midst of an intimate talk. They seem to be very close, peacefully and lovingly connected. This comes mainly through the composition, as there are a lot of oval forms, which echo each other.

There is the big oval going from their shoulders to their arms and conjoined hands. There are also the ovals of the necklines that Overbeck made the same size, the similarities in the dresses, like the belts and white sleeves of their blouses as well as the floral wreaths corresponding to each other. The pink wrap that drapes the lower part of Germania’s body with its soft pleats frames and emphasizes this big oval dynamic of the setting.

It looks like a religious painting on first glance due to the strong triangular composition in which the two figures are rendered. This is what we have seen in countless saintly images, especially in the Raphael Madonna paintings. The two figures become like saints.


As in Renaissance art, Italia and Germania fill the well-balanced format, and the landscape becomes secondary. With its humble green and blues, it just illustrates a surrounding. Details tell us about the ladies’ identities: Italian architecture and the Mediterranean sea feature the background of Italia; a Gothic city and the Alps decorate Germania’s side.



Sacred Friendship

Their friendship is idealized and made sacred in the way Overbeck depicts the girls because of the harmony, dignity, and quietude of the composition. Their strongly idealized faces cannot count as portraits. Their skin is amazingly white, shimmering like porcelain. Yet this seems to be more than just a conceptual work, as it features a very natural and human conversation.

Although the two are connected, they are independent of each other; their eyes do not meet. They are conjoined by their hands, the compositional triangle shape, and multiple round forms. Each woman has her own personality and emotional quality that goes beyond the idealized portrayal. As a profile portrait, there is almost breezy cuteness in the way the blond Germania stretches her nose in the air. The blooming floral wreath comes across as extroverted and friendly. Its blooms are repeated as golden buttons on her sleeve. She leans toward the dark-haired one and holds both her hands around the others hand. She’s obviously talking to her. Some feel that she’s comforting her friend.

The image of the dark-haired Italia, with its classical three-quarter perspective and the red and blue garments she’s wearing, repeats countless Madonna portrayals. We perceive her to be introverted and almost melancholic as she holds one of her hands in front of her body as if protecting herself. She looks humbly down to the ground while her blond companion curiously looks into the landscape while talking.

The dark lady’s dress is in comparison much simpler; there are no ornaments on it. The laurel wreath she wears is the only thing that gives an idea of her Mediterranean origin and adds a little peculiarity to an otherwise perfect image of Mary.


The two become a symbol for the possible union of opposites and a peaceful dialogue of different temperaments.


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Tuesday, February 13, 2018

Northeast Alps - Winter sports stronghold

As we're now well into the 2018 Winter Olympics in PyeongChang, it should be noted that the northeast Alps is overwhelmingly the source of Winter Olympic athletes for Italy. Close to half of the Italian team are natives of the South Tyrol alone; with the vast majority of the rest being natives of Lombardy, Trentino, and Tri-Veneto Alps. Südtiroler Dominik Windisch has already won a bronze in the Men's 10km Sprint Biathlon. Even China only has one silver so far, as it's still early.

The Italy at the 2018 Winter Olympics Wikipedia page gives a rundown on all of the events and athletes of the Italian team. Speed skater Arianna Fontana and Alpine skiiers Sofia Goggia and Nadia Fanchini are a few that I'm watching. In last months' World Cup in Austria, Italy took all three medals in the Woman's Alpine Downhill (image below); Sofia Goggia, Federica Brignone, and Nadia Fanchini ('Goggia leads Italian sweep at World Cup downhill').

NBCOlympics.com



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The U.S. equivalent to the northeast Italian Alps is Colorado. In fact, many winter athletes from around the world train in the mountainous state. 17 year old snowboarder and Colorado native Red Gerard was the first American to win a gold medal for the slopestyle snowboard event. Michigan native Ryan Pivirotto, with roots in the Veneto Alps apparently, is an American short track speed skater.

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