What did Leonardo da Vinci's "Last Supper" really look like?

What did Leonardo da Vinci's "Last Supper" really look like? | DW Documentary
 
Published on Apr 18, 2019

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DW Documentary

Leonardo's famous painting "The Last Supper" hides a secret: only 20 percent of the original work is still visible.

In the style of a thriller, the documentary attempts to reconstruct what it originally looked like. Leonardo da Vinci was the epitome of the Renaissance Man. May 2019 marks the 500th anniversary of his death. The artist created world-famous works such as the fresco "The Last Supper" - perhaps the most famous. It is still in its original setting, on the wall of the dining room of the former Dominican convent of Santa Maria delle Grazie in Milan.

The painting, which is 4.60 meters high and 8.80 meters wide, has been undergoing restoration for the last 19 years. But the restorers now know that only 20 percent of the original is visible today. So what did something that is the focus of so many legends originally look like? Our investigation also takes us to the small Belgian abbey of Tongerlo, where a mysterious copy of da Vinci's work has been discovered. It is a painting on canvas that could have been commissioned from da Vinci’s workshop by the French King Louis XII. It has perhaps brought the researchers a step closer to the truth.

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Giulio Romano - Mannerist Artist

Giulio Romano - Italian Mannerist Painter
 
muziczone1

Giulio Romano -Italian Mannerist Painter
 
circa 1499-1546

Giulio Romano

Giulio Romano (c. 1499 – 1 November 1546) was an Italian painter and architect. A pupil of Raphael, his stylistic deviations from high Renaissance classicism help define the 16th-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of 16th-century Italian style throughout Europe.

cont'd

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'Vergine bella' - Giovanni Pierluigi

Giovanni Pierluigi da Palestrina - Vergine bella - Bronzino

MrThesoundflyer
Palestrina, Vergine bella, from Madrigali spirituali a cinque voci on texts by Francesco Petrarca. Bronzino, paintings. ensemble officium, Wilfried Rombach, conductor.


Giovanni Pierluigi da Palestrina

Giovanni Pierluigi da Palestrina (c. 1525 – 2 February 1594) was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition. He had a lasting influence on the development of church music, and his work has often been seen as the culmination of Renaissance polyphony.

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Tribute To European Art and Architecture

Tribute To European Art and Architecture

GermanicGod's channel


Renaissance architecture and art, most of it Catholic and Cisalpine, or inspired. Below, Medieval Catalan music. Catalans are Cisalpine-like people.




trovadores! Si us quer conselh bel'ami'Alamanda...
 
nachosaen

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Niccolò Machiavelli

Niccolò Machiavelli (Wikipedia)

Niccolò di Bernardo dei Machiavelli: 3 May 1469 – 21 June 1527) was an Italian historian, politician, diplomat, philosopher, humanist, and writer based in Florence during the Renaissance. He was for many years an official in the Florentine Republic, with responsibilities in diplomatic and military affairs. He was a founder of modern political science, and more specifically political ethics.

He also wrote comedies, carnival songs, and poetry. His personal correspondence is renowned in the Italian language. He was Secretary to the Second Chancery of the Republic of Florence from 1498 to 1512, when the Medici were out of power. He wrote his masterpiece, The Prince, after the Medici had recovered power and he no longer held a position of responsibility in Florence.

"Machiavellianism" is a widely used negative term to characterize unscrupulous politicians of the sort Machiavelli described in The Prince. The book itself gained enormous notoriety and wide readership because the author seemed to be endorsing behavior often deemed as evil and immoral.

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Personally, I think the philosophy of Georg Hegel and Adam Weishaupt have had an infinitely worse affect on the world than Machiavelli, because their methods have become systemic and long-term.

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"Masters of Venice" at the de Young Museum

Masters of Venice: Renaissance Painters of Passion and Power from the Kunsthistorisches Museum, Vienna

October 29, 2011 - February 12, 2012

Masters of Venice: Renaissance Painters of Passion and Power is a worldwide exclusive presentation of 50 paintings by Venetian painters Titian, Giorgione, Veronese, Tintoretto, Mantegna, and more, primarily from the sixteenth century, all on loan from the Gemäldegalerie of the Kunsthistorisches Museum in Vienna. Featured are outstanding examples of the work of these artists that were collected by the archdukes and emperors of the Habsburg family, which are among the most celebrated holdings in the collections of the Gemäldegalerie.

Key works include Titian’s sumptuous Danáe (1560s), Mantegna’s tortured Saint Sebastian (1457–1459) and four rare paintings by Giorgione, including The Three Philosophers (ca. 1508–1509) and Portrait of a Young Woman (Laura) (1506). The exhibition also includes works by Palma, Bordone, Bassano, and more. Together, these examples represent the range of Venetian accomplishment in Renaissance-era painting.

Educational Resources (link for further study)
This exhibition, featuring works that were once part of the collection of the Habsburg family, offers you and your students a unique opportunity study works from the Renaissance. Highlighting artists such as Titian, Giorgione, Tintoretto and Veronese, the exhibition traces the Renaissance, High Renaissance and Venetian Mannerism through these artist’s paintings—many never before seen in San Francisco. The exhibition also provides a rich opportunity for Bay Area teachers to expand their curriculum by utilizing the show to look at literary, aesthetic, social and economic differences and similarities when comparing 16th-century Venice and its artistic output with San Francisco and the FAMSF collections.

The resources assembled here may provide you and your students with ideas for viewing the exhibition and for conducting follow-up activities to expand the experience.


Ticket Information

Admission prices: adults $20, seniors 65+ $17, students with current ID $16, youths 6–17 $10, members and children 5 and under free.

Groups of 10 or more have access to priority booking and discounted rates. For additional information please contact the group sales office at groupsales@famsf.org or by calling 415.750.3620.

Reserve your tickets now

Member tickets


Catalogue
Exhibition catalogue available


Related Lectures & Events

Tuesday December 6, 2011

Docent Lecture: "Masters of Venice: Renaissance Painters of Passion and Power from the Kunsthistorisches, Vienna," Rita Dunlay

1:00 pm


Today's Docent Tours

11:00 am

1:00 pm


Press Release
Masters of Venice: Renaissance Painters of Passion and Power From the Kunsthistorisches Museum, Vienna


Credit Line
This exhibition is organized by the Fine Arts Museums of San Francisco in collaboration with the Gemäldegalerie of the Kunsthistorisches Museum, Vienna.


Major Patron
Penny and James George Coulter
San Francisco Auxiliary of the Fine Arts Museums


Patrons
Athena and Timothy Blackburn
William G. Irwin Charity Foundation


Sponsors
T. Robert and Katherine Burke
Samuel H. Kress Foundation
Mrs. James K. McWilliams
Greta R. Pofcher


Education programs presented in conjunction with the exhibition are sponsored by Wells Fargo and the S. D. Bechtel, Jr. Foundation.


This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

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