Showing posts with label Halloween. Show all posts
Showing posts with label Halloween. Show all posts

Monday, October 29, 2018

Halloween In Venice




Halloween In Venice | Italy

Broshar's Adventures





Halloween in Venice, Italy

Dr Kakoon

Touristing around the island city. Wanted to upload this earlier, but too busy traveling. The whole place is photogenic. Old, weathered architecture and materials. Original frescoes, hundreds of years old.  Wish I could have gotten to Poveglia island.  I needed another day or two, and probably bribe money to get there.  A licensed water taxi will not go there.  It was off limits while owned by the government. Now that Poveglia is sold to a developer, it could be even more of a challenge if they have security. So close, and yet........ so far.


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Tuesday, November 3, 2009

Samhain to Halloween: Part 2



HALLOWEEN

Halloween is an annual holiday celebrated on October 31. It has roots in the Celtic festival of Samhain and the Christian holy day of All Saints, but is today largely a secular celebration.

Halloween activities include trick-or-treating, wearing costumes and attending costume parties, carving jack-o'-lanterns, ghost tours, bonfires, visiting haunted attractions, pranks, telling scary stories, and watching horror films.


HISTORY

Historian Nicholas Rogers, exploring the origins of Halloween, notes that while "some folklorists have detected its origins in the Roman feast of Pomona, the goddess of fruits and seeds, or in the festival of the dead called Parentalia, [it is] more typically linked to the Celtic festival of Samhain or Samuin (pronounced sow-an or sow-in)." The name is derived from Old Irish and means roughly "summer's end". A similar festival was held by the ancient Britons and is known as Calan Gaeaf (pronounced kalan-geyf). Snap-Apple Night by Daniel Maclise showing a Halloween party in Blarney, Ireland, in 1832. The young children on the right bob for apples. A couple in the center play a variant, which involves retrieving an apple hanging from a string. The couples at left play divination games.

The festival of Samhain celebrates the end of the "lighter half" of the year and beginning of the "darker half", and is sometimes regarded as the "Celtic New Year."

The celebration has some elements of a festival of the dead. The ancient Celts believed that the border between this world and the Otherworld became thin on Samhain, allowing spirits (both harmless and harmful) to pass through. The family's ancestors were honoured and invited home whilst harmful spirits were warded off. It is believed that the need to ward off harmful spirits led to the wearing of costumes and masks. Their purpose was to disguise oneself as a harmful spirit and thus avoid harm. In Scotland the spirits were impersonated by young men dressed in white with masked, veiled or blackened faces. Samhain was also a time to take stock of food supplies and slaughter livestock for winter stores. Bonfires played a large part in the festivities. All other fires were doused and each home lit their hearth from the bonfire. The bones of slaughtered livestock were cast into its flames. Sometimes two bonfires would be built side-by-side, and people and their livestock would walk between them as a cleansing ritual.

Another common practise was divination, which often involved the use of food and drink.

The name 'Halloween' and many of its present-day traditions derive from the Old English era.


ORIGIN OF NAME

The word Halloween is first attested in the 16th century and represents a Scots variant of the fuller All-Hallows-Even, that is, the night before All Hallows Day. Although the phrase All Hallows is found in Old English ("the feast of all saints"), All-Hallows-Even is itself not attested until 1556. Thus there is no evidence of an English term for this day before the Reformation.


SYMBOLS

Development of artifacts and symbols associated with Halloween formed over time encompassing customs of medieval holy days as well as contemporary cultures. The souling practice of commemorating the souls in purgatory with candle lanterns carved from turnips, became adapted into the making of jack-o'-lanterns. In traditional Celtic Halloween festivals, large turnips were hollowed out, carved with faces and placed in windows to ward off evil spirits. The carving of pumpkins is associated with Halloween in North America where pumpkins are both readily available and much larger – making them easier to carve than turnips. Many families that celebrate Halloween carve a pumpkin into a frightening or comical face and place it on their doorstep after dark. The American tradition of carving pumpkins preceded the Great Famine period of Irish immigration and was originally associated with harvest time in general, not becoming specifically associated with Halloween until the mid-to-late 1800s.


The imagery surrounding Halloween is largely a mix of the Halloween season itself, works of Gothic and horror literature, in particular the novels Frankenstein and Dracula, and nearly a century of work from American filmmakers and graphic artists, and British Hammer Horror productions, also a rather commercialized take on the dark and mysterious. Halloween imagery tends to involve death, evil, the occult, magic, or mythical monsters. Traditional characters include the Devil, the Grim Reaper, ghosts, ghouls, demons, witches, goblins, vampires, werewolves, zombies, skeletons, black cats, spiders, bats, and crows.

Particularly in America, symbolism is inspired by classic horror films (which contain fictional figures like Frankenstein's monster and The Mummy). Elements of the autumn season, such as pumpkins, corn husks, and scarecrows, are also prevalent. Homes are often decorated with these types of symbols around Halloween.

The colours black and orange are associated with the celebrations, perhaps because of the darkness of night and the colour of fire, autumn leaves, or pumpkins.

[Much more on the Wikipedia page]


Monday, November 2, 2009

Samhain to Halloween: Part 1

We briefly touched on this last week, but we should know the significance of Samhain. It's pretty easy to see how our Gallic ancestors viewed this time of the year with so much reverence. There's an ominous feeling to "Indian Summer," which we're at the tail end of in the Bay Area with a late Indian Summer, as we know that winter is just around the corner. It's in our genetic memory. Samhain is part of the ancient seasonal "Wheel of the Year." It should be mentioned that the Irish immigrants were the ones who made "Halloween" what it is today, which goes clear back into the ancient world.

SAMHAIN

Samhain — roughly translated as "summer's end" — is a festival held on October 31–November 1 in Gaelic cultures. A harvest festival with ancient roots in Celtic paganism, it was linked to festivals held around the same time in other Celtic cultures, and continued to be celebrated in late medieval times.

Samhain marked the end of the harvest, the end of the "lighter half" of the year and beginning of the "darker half".It was traditionally celebrated over the course of several days. Many scholars believe that it was the beginning of the Celtic year. It has some elements of a festival of the dead. Its relations to a festival of the dead is in the ancient belief that nature was dying during this time. The Gaels believed that the border between this world and the otherworld became thin on Samhain; because nature and plants were dying, it thus allowed the dead to reach back through the veil that seperated them from the living. Bonfires played a large part in the festivities. People and their livestock would often walk between two bonfires as a cleansing ritual, and the bones of slaughtered livestock were cast into its flames.

The Gaelic custom of wearing costumes and masks, was an attempt to copy the spirits or placate them. In Scotland the dead were impersonated by young men with masked, veiled or blackened faces, dressed in white. Samhnag — turnips which were hollowed-out and carved with faces to make lanterns — were also used to ward off harmful spirits.

The Gaelic festival became associated with the Christian All Saints' Day and All Souls' Day, and has hugely influenced the secular customs now connected with Halloween. It continues to be celebrated as a religious festival by some Neopagans.

Samhain and an t-Samhuinn are also the Irish and Scottish Gaelic names of November, respectively.


ETYMOLOGY


The Modern Irish word Samhain is derived from the Old Irish samain, samuin, or samfuin, all referring to 1 November (latha na samna: 'samhain day'), and the festival and royal assembly held on that date in medieval Ireland (oenaig na samna: 'samhain assembly'). Its meaning is glossed as 'summer's end', and the frequent spelling with f suggests analysis by popular etymology as sam ('summer') and fuin ('sunset', 'end'). The Old Irish sam ('summer') is from Proto-Indo-European language (PIE) *semo-; cognates are Welsh haf, Breton hañv, English summer and Old Norse language sumar, all meaning 'summer', and the Sanskrit sáma ("season").

In 1907, Whitley Stokes suggested an etymology from Proto-Celtic *samani ('assembly'), cognate to Sanskrit sámana, and the Gothic samana. J. Vendryes concludes that these words containing *semo- ('summer') are unrelated to samain, remarking that furthermore the Celtic 'end of summer' was in July, not November, as evidenced by Welsh gorffennaf ('July'). We would therefore be dealing with an Insular Celtic word for 'assembly', *samani or *samoni, and a word for 'summer', saminos (derived from *samo-: 'summer') alongside samrad, *samo-roto-. The Irish samain would be etymologically unrelated to 'summer', and derive from 'assembly'. But note that the name of the month is of Proto-Celtic age, cf. Gaulish SAMON[IOS] from the Coligny calendar, and the association with 'summer' by popular etymology may therefore in principle date to even pre-Insular Celtic times.

Confusingly, Gaulish Samonios (October/November lunation) corresponds to GIAMONIOS, the seventh month (the April/May lunation) and the beginning of the summer season. Giamonios, the beginning of the summer season, is clearly related to the word for winter, Proto-Indo-European *g'hei-men- (Latin hiems, Slavic zima, Greek kheimon, Hittite gimmanza), cf. Old Irish gem-adaig ('winter's night'). It appears, therefore, that in Proto-Celtic the first month of the summer season was named 'wintry', and the first month of the winter half-year 'summery', possibly by ellipsis, '[month at the end] of summer/winter', so that samfuin would be a restitution of the original meaning. This interpretation would either invalidate the 'assembly' explanation given above, or push back the time of the re-interpretation by popular etymology to very early times indeed.

Samhain was also called the Féile Moingfhinne (meaning "festival of Mongfhionn"). According to Cormac's Glossary, Mongfhionn was a goddess the pagan Irish worshipped on Samain.

Bealtaine, Lúnasa and Samhain are still today the names of the months of May, August and November in the Irish language. Similarly, an Lùnasdal and an t-Samhuinn are the modern Scottish Gaelic names for August and November.




HISTORY


The Gaulish calendar appears to have divided the year into two halves: the 'dark' half, beginning with the month Samonios (the October/November lunation), and the 'light' half, beginning with the month Giamonios (the April/May lunation). The entire year may have been considered as beginning with the 'dark' half, so that the beginning of Samonios may be considered the Celtic New Year's day. The celebration of New Year itself may have taken place during the 'three nights of Samonios' (Gaulish trinux[tion] samo[nii]), the beginning of the lunar cycle which fell nearest to the midpoint between the autumnal equinox and the winter solstice. The lunations marking the middle of each half-year may also have been marked by specific festivals. The Coligny calendar marks the mid-summer moon (see Lughnasadh), but omits the mid-winter one (see Imbolc). The seasons are not oriented at the solar year, viz. solstice and equinox, so the mid-summer festival would fall considerably later than summer solstice, around 1 August (Lughnasadh). It appears that the calendar was designed to align the lunations with the agricultural cycle of vegetation, and that the exact astrological position of the Sun at that time was considered less important.

In medieval Ireland, Samhain became the principal festival, celebrated with a great assembly at the royal court in Tara, lasting for three days. After being ritually started on the Hill of Tlachtga, a bonfire was set alight on the Hill of Tara, which served as a beacon, signaling to people gathered atop hills all across Ireland to light their ritual bonfires. The custom has survived to some extent, and recent years have seen a resurgence in participation in the festival.

Samhain was identified in Celtic literature as the beginning of the Celtic year and its description as "Celtic New Year" was popularised in 18th century literature. From this usage in the Romanticist Celtic Revival, Samhain is still popularly regarded as the "Celtic New Year" in the contemporary Celtic cultures, both in the Six Celtic Nations and the diaspora. For instance, the contemporary calendars produced by the Celtic League begin and end at Samhain.


NEOPAGANISM


Samhain is observed by various Neopagans in various ways. As forms of Neopaganism can differ widely in both their origins and practices, these representations can vary considerably despite the shared name. Some Neopagans have elaborate rituals to honor the dead, and the deities who are associated with the dead in their particular culture or tradition. Some celebrate in a manner as close as possible to how the Ancient Celts and Living Celtic cultures have maintained the traditions, while others observe the holiday with rituals culled from numerous other unrelated sources, Celtic culture being only one of the sources used.


CELTIC RECONSTRUCTIONISM


Celtic Reconstructionist Pagans tend to celebrate Samhain on the date of first frost, or when the last of the harvest is in and the ground is dry enough to have a bonfire. Like other Reconstructionist traditions, Celtic Reconstructionists place emphasis on historical accuracy, and base their celebrations and rituals on traditional lore from the living Celtic cultures, as well as research into the older beliefs of the polytheistic Celts. At bonfire rituals, some observe the old tradition of building two bonfires, which celebrants and livestock then walk or dance between as a ritual of purification.

According to Celtic lore, Samhain is a time when the boundaries between the world of the living and the world of the dead become thinner, allowing spirits and other supernatural entities to pass between the worlds to socialize with humans. It is the time of the year when ancestors and other departed souls are especially honored. Though Celtic Reconstructionists make offerings to the spirits at all times of the year, Samhain in particular is a time when more elaborate offerings are made to specific ancestors. Often a meal will be prepared of favorite foods of the family's and community's beloved dead, a place set for them at the table, and traditional songs, poetry and dances performed to entertain them. A door or window may be opened to the west and the beloved dead specifically invited to attend. Many leave a candle or other light burning in a western window to guide the dead home. Divination for the coming year is often done, whether in all solemnity or as games for the children. The more mystically inclined may also see this as a time for deeply communing with the deities, especially those whom the lore mentions as being particularly connected with this festival.


WICCA


Samhain is one of the eight annual festivals, often referred to as 'Sabbats', observed as part of the Wiccan Wheel of the Year. It is considered by most Wiccans to be the most important of the four 'greater Sabbats'. It is generally observed on October 31st in the Northern Hemisphere, starting at sundown. Samhain is considered by some Wiccans as a time to celebrate the lives of those who have passed on, and it often involves paying respect to ancestors, family members, elders of the faith, friends, pets and other loved ones who have died. In some rituals the spirits of the departed are invited to attend the festivities. It is seen as a festival of darkness, which is balanced at the opposite point of the wheel by the spring festival of Beltane, which Wiccans celebrate as a festival of light and fertility.