Showing posts with label United Kingdom. Show all posts
Showing posts with label United Kingdom. Show all posts

Monday, September 18, 2017

'The Eagle' - movie review




The Eagle (2011 film)

The Eagle is a 2011 epic historical drama film set in Roman Britain directed by Kevin Macdonald, and starring Channing Tatum, Jamie Bell and Donald Sutherland. Adapted by Jeremy Brock from Rosemary Sutcliff's historical adventure novel The Eagle of the Ninth (1954), the film tells the story of a young Roman officer searching to recover the lost Roman eagle standard of his father's legion in the northern part of Great Britain. The story is based on the Ninth Spanish Legion's supposed disappearance in Britain.

The film was an Anglo-American co-production. It was released in the U.S. and Canada on February 11, 2011, and in the United Kingdom and Ireland on March 25, 2011.

The Eagle is effectively a sequel to the film Centurion, written and directed by Neil Marshall, because Channing Tatum's character in The Eagle is Marcus Flavius Aquila, the son of Titus Flavius Virilus who led the Ninth Legion that was lost in the far north of Britannia, and who was therefore the same person as Dominic West's character Titus Flavius Virilus in Centurion: it continues the story of the disappearance of the Ninth Legion fighting the Picts in what is now northern Scotland, north of Hadrian's Wall by following the leader's son's search to solve the mystery of what happened to his father, and the Legion, and the golden eagle standard that they carried everywhere with them, and to restore his family's honor.

As a historical matter, the purported disappearance of the Ninth Legion in Northern Britain is a subject of debate and dispute (see Legio_IX_Hispana § Theories about the Ninth's disappearance for details.)


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Partial spoiler alert! This review perhaps spoils the first 1/3 of the film....






The premise of the entire movie was the desire of one man, Marcus Flavius Aquila, to put himself at great risk to recapture the lost honor of both the Roman Empire and that of his own family. Since we no longer live in an honor-bound society, this becomes something to really ponder. The symbol of this endeavor was the lost Roman golden eagle standard; a golden Roman eagle which was attached to a pole such as a national flag; a vexillum. Of course, since his own father commanded the 9th Legion, it was both patriotic and personal. The legion contained 5,000 soldiers, a great loss and embarrassment to the empire; similar to the great Roman defeat in the Teutoburg Forest about 130 years earlier.

The 9th Legion was to have disappeared in what was called Caledonia by the Romans, or what is now Scotland. The Picts were not Gaels, but usually thought of as being a Celtic people, although may have been a particular Atlanto-Mediterranean people. The strange sounding language used by the Picts in the film was not the lost and unknown Pictish language, but Scottish Gaelic. In any case, the tribes of Caledonia were so fierce that the Romans constructed a great fortified wall to seal them off, called Hadian's Wall.

The film opens with a Roman military unit traveling through Briton by boat via a river system with heavy foliage and trees. Suddenly a small herd of large steers splashed across in front of them, showing a certain backwardness to this society; although it was under Roman rule for about a century at that point. The boat carried Marcus who was to be the new commander of a certain Roman fortification and territory in northern Briton. As he arrives, there's a certain ominous feeling. There are still strong unconquered elements about them.

There were a few references to "the gods." Marcus prayed to one of the Roman gods, possibly Mithras, on a couple of occasions. He was a man on a mission. There were rumors of Druids about as well, although the Druids were thought to have been long ago defeated. Apparently, though not militaristic, the Druids had organized resistance to Rome in the past in both Briton and Gaul. Soon after assuming command, on a gloomy night, Marcus awoke with a feeling of danger. He got up and went along the outer walls, and heard a certain noise. They tried to figure out if it was a noise from cattle or not.

Marcus made a decision to waken all of the soldiers. They dressed and manned the walls, and waited. It could have ended up as a somewhat embarrassing error by the new commander. However, an army of Britons did attack, and the attack was repelled. For this, the young Marcus gained respect from all. The next morning, the army of Britons showed themselves beyond the walls again. As they started a ritual execution of two Roman soldiers, Marcus ordered a preemptive attack. Again, a great battle ensued.

As Marcus fought, visions of his father fighting some unknown enemy was shown; hinting at a psycho-spiritual connection with something which had occurred years earlier. Although the Romans were victorious, it came at a greater loss than the night prior. Marcus was seriously injured in the battle, and was soon taken away to a different part of Briton. I assume that he was relocated to a more southern location of which the Romans had a better grip on things. There he meets his uncle, who is in some form of command, and begins his rehabilitation. At this point there is a reference to an old Roman proverb, cited in the book 'The Eagle of the Ninth':

Eagle lost, honor lost;
Honor lost, all lost.

During some type of life-and-death battle "games," a young Briton named Esca is about to be put to death with the apparent approval of the crowd. Marcus rises and objects, successfully. Esca is allowed to live, and is given to Marcus as a slave. At one point Esca pulls a small dagger on Marcus and tells him that he hates him and everything he stands for; however, due to the fact that Marcus saved his life, swears eternal loyalty to him and puts the dagger down.

When Marcus finally heals, he begins his quest to find the golden eagle beyond Hadrian's Wall. This is beyond Roman Briton, dark harsh highlands and weather, populated by savage tribes, the unknown, more dangerous than northern Briton, the top of the world. He sets out on horseback with only his slave Esca; and that's where the film really realizes it's aim.

There's a parallel to the movie 'Braveheart', however the film takes no pro or anti Roman slant. Much of the rest of the film is about redemption of Marcus, Esca, and others. Somewhat ironically, "Roman Briton" at a much later point became a new Roman Empire itself. I reviewed 'Centurion' (2010), of which 'The Eagle' was the sequel to, on the other blog... Centurion (movie review).

In ancient legends, the eagle was the symbol of oppression; perhaps more to the point... of a hording of power and knowledge. The serpent was the symbol of liberation and freedom; more to the point... of an opening up of forbidden knowledge and truth. However, it's also been challenged that the eagle is really the liberator and that it symbolizes safety and the rule of law... while the serpent is an anarchist.

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Monday, April 17, 2017

Franco Zeffirelli's 'Jesus of Nazareth' - 40 year anniversary



Jesus Of Nazareth (Full Movie) 1977

Repenttv


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This was a big deal back in 1977... a time when there were five stations on the dial. It tied together the U.S., UK, and Italy in particular... something not likely to happen again given the massive planned changes in society. I was very young, but I remember everyone in the neighborhood seemed to have it on. As twilight and dimly lit windows arrived, that perfect moment in time, there was a certain unity and warmth to it.

When the first episode was broadcast in the United States, it was a major success. The New York Times reported it "swamped all competing programs on Sunday night", with overnight Nielsen ratings of 46% of the total audience in New York and 53% in Los Angeles. The miniseries as a whole received a Nielsen rating of 30.8 points, with each point representing approximately 712,000 television-owning homes, and an audience share of 50% nationwide, on both nights. The company calculated that Jesus attracted about 90 million viewers.


Jesus of Nazareth turned into a massive commercial success and one of the most widely marketed and best-known productions about Christ's life.

NBC rebroadcast the series in 1981 and four more times through 1990.


The mini-series is broadcast every Easter and Christmas in many countries...



 Jesus of Nazareth (miniseries)

Jesus of Nazareth (Italian: Gesù di Nazareth) is a 1977 British-Italian television miniseries directed by Franco Zeffirelli and co-written by Zeffirelli, Anthony Burgess, and Suso Cecchi d'Amico which dramatises the birth, life, ministry, crucifixion and resurrection of Jesus. It stars Robert Powell as Jesus. The miniseries features an all-star cast of famous American and European actors, including seven Academy Award winners: Anne Bancroft, Ernest Borgnine, Laurence Olivier, Christopher Plummer (subsequent winner), Anthony Quinn, Rod Steiger, and Peter Ustinov.

Extra-biblical traditions were used in the writing of the screenplay and some characters (such as Zerah) and situations were invented for the film for brevity or dramatic purposes. Notably, Jesus of Nazareth depicts Judas Iscariot as a well-intentioned man initially, but later as a dupe of Zerah who betrays Jesus largely as a result of Zerah's false platitudes and pretexts. However, in accordance with the Gospels, the film depicts Nicodemus and Joseph of Arimathea as sympathetic members of the Sanhedrin. Many of the miracles of Jesus, such as the changing of water into wine at the wedding at Cana, the transfiguration, and the calming of the storm are not depicted, although Jesus healing the blind man and the crippled woman on Sabbath, the feeding of the multitude, and the raising of Lazarus from the dead are presented here.

Jesus of Nazareth premiered on the Italian channel Rai 1 on 27 March 1977 and was first aired in the United Kingdom on the ITV Network on 3 April 1977. It is generally well-praised, but was not received without controversy.


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Tuesday, June 28, 2016

Someone finally says "No" to transnational bankers

In the same manner that there are "labor unions" which seek to unite and ignite an active consensus among workers; there are "unions of billionaires" who use this same basic formula. I say "billionaires" when in fact, three separate international banking cartels each have a net worth in the hundreds of trillions of dollars. Right from the get-go, each country is to have both a central bank.. and a foreign relations group made up of major figures from the main choke points of society: banking, corporations, media, education, advertising, intelligence, military, etc. These two entities are to be linked into the global network in the same manner as perhaps an international labor union might. 

Since they're internationalists, these are the people who have made words like "nationalism, protectionism, and isolationism" into dirty words. Once in awhile they wave a flag when they want something done in a certain area, but their focus is international. Their power is so immense that within a few days of Brexit, we now have contrived mainstream new stories about massive "vote regrets" and millennials being angry at baby boomers (UK).. using manipulated "polls" as they so often do. The simple fact is that a monkey wrench was thrown into the machine of the internationalist dream of these financial and corporate overlords. The UK and Germany was the EU. 

Some years ago when countries were signing up with the European Union, on a couple of occasions the organized facilitators were openly stating that they would just keep putting it to a vote (of politicians) until they got the result that they wanted. Now they want to do the opposite! In their minds.. it's heads they win, tails we lose... every time. These are the people who have for many years, promoted the very worst elements of monopoly Capitalism and social Marxism... as we can so painfully see today. The hard underlying truth is that someone like Obama gets elected, and the very first thing he does is bring in a team of financial advisors from Goldman Sachs.to work like termites behind the scenes for the next eight years. That's the way it works in every country that these transnationalists are allowed to inhabit.


Brexit was one of the most important news events of our lifetime, because these people must operate in a way that loosely follows some type of Democracy. Luckily the populace got a chance to vote, and the scoundrels were thrown out. This should only be the start. There's no way to even begin to describe the damage that these unelected Globalist bureaucrats have done to our world. This whole dynamic reminds me of the movie 'One Flew Over The Cuckoo's Next' when McMurphy finally realized that after all the complaints.. all they really had to do was walk out the door and it would all be over.. just like any abusive relationship. 

However, if there was really any justice, there would be Nuremberg-type trials set up. Bankers who have bled economies dry and funded both sides of wars as has happened so often, and corporations who have organized and armed rebels for coups in third-world countries in order to get at the resources, should be punished. If America is so left-leaning, then why can't we break the unions of these super wealthy transnationals? The British have shown up the Americans and Germans, and punched out their own metaphoric class bully. The bullies can't solve the problem, because they are the problem!

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